Media
Press – Reviews
Media
Press – Reviews
Read more“Sentimos cómo Fernández-Rueda se había metido en la delicada piel del enamorado que enamoró a Schubert a partir de los poemas de Müller”.
‘Fernández-Rueda nos canta una Bella -extraordinariamente bella- Molinera’
cdclassico.com
read moreRead more“Desde una voz de tenor lírico de bellos matices cromáticos, bien apoyada, de emisión liberada y proyección perfecta, Fernández Rueda se implicó al máximo en el universo expresivo de estas canciones.”
‘La Bella Molinera’ por Francisco Fernández Rueda: Camino, arroyo, amor, vida…
cdclassico.com
read moreRead more“The tenor Fernández-Rueda has also grown compared to the album cd, giving further power and extension to its beautiful timbre.”
Dal vivo: “La sete di Christo”, Accademia Filarmonica Romana
cdclassico.com
read moreRead more“It was especially lucid the performance of Francisco Fernández-Rueda in the various roles adjudicated, that in his singing and his performance reached an unsuspected level.”
Bones veus per a una direcció erràtica
Revista Musical Catalana
read moreRead more“Francisco Fernández-Rueda demonstrated a wide range of nuances alternating dramatic and comic roles without any fissure in his interpretation.”
La Sociedad Filarmónica de Bilbao celebra a Monteverdi con una notable Incoronazione di Poppea
Bachtrack
read moreRead more“Among the rest of the balanced cast showed the style and the theatricality of Francisco Fernández-Rueda.”
Sensualidad primigenia
La Vanguardia
read moreRead more“Francisco Fernandez Rueda covered no less than five characters, and in all of them he offered good musicality, besides being an excellent actor.”
L’incoronazione: una estupenda noche musical
Beckmesser
read moreRead more“Every other role also was cast with discernment, notably Francisco Fernandez-Rueda as the faithful shepherd Eumete”
Gardiner’s Monteverdi cycle concludes with triumphant ‘Poppea’
Chicago Tribune
read moreRead more“Among the singers we will highlight […] the Eumete of Francisco Fernández-Rueda, curiously young and full of vitality, as well as his Pastore in L’Orfeo where he ideally merges with Gareth Tresseder in the beautiful duet at the end of the second act.”
L’hommage de John Eliot Gardiner à Monteverdi se poursuit à Paris
ResMusica
read moreRead more“At the opposite pole I find the very effective work of the young Sevillian tenor Francisco Fernández-Rueda. Each of his intervention were scenic domain. If his Pastor in L’Orfeo, a very important role in the opera, was great, his performance in the role of Eumete in Il ritorno d’Ulisse in patria was moving; he took advantage of the moments of great beauty of the musical text that the Monteverdian genius assigns to the Shepherd of Ithaca; I think in moments of the second act as the welcome to Telemaco “O gran figlio d’Ulisse” or the very beautiful duet of Eumete with Ulisse Dolce speme il cor lusinga.”
Ritorno e Incoronazione alla Fenice del Orfeo veneto
Mundo Clásico
read moreRead more“Francisco Fernández-Rueda was excellent in his roles and also showed great actor skills: he is one of those singers who fill the scene and who sing with contagious aplomb.”
El País – junio 2017
Read more“Also emphasized the Sevillian tenor Francisco Fernández-Rueda, in the successful role of Eumete, the shepherd who accompanies Ulisse to the court and serves as messenger of the latter. His voice, with character, was very appropriate to this role…”
Monteverdi en estat pur
Revista Musical Catalana
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